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Julia Pastrana, Mexican 'Ape Woman,' Buried After 150 Years

Julia Pastrana

First Posted: 02/12/13 EST Updated: 02/12/13 EST

SINALOA DE LEYVA, Mexico -- An indigenous Mexican woman put on display in Victorian-era Europe because of a rare genetic condition that covered her face in thick hair was buried in her home state on Tuesday in a ceremony that ends one of the best-known episodes from an era when human bodies were treated as collectible specimens.

With her hairy face and body, jutting jaw and other deformities, Julia Pastrana became known as the "ape woman" after she left the Pacific coast state of Sinaloa in 1854, when she was 20, and was taken around the United States by showman Theodore Lent, according to a Norwegian commission that studied her case.

She sang and danced for paying audiences, becoming a sensation who also toured Europe and Russia. She and Lent married and had a son, but she developed a fever related to complications from childbirth, and died along with her baby in 1860 in Moscow. Her remains ended up at the University of Oslo, Norway. After government and private requests to return her body, the university shipped her remains to the state of Sinaloa, where they were laid to rest.

"Julia Pastrana has come home," said Saul Rubio Ayala, mayor of her hometown of Sinaloa de Leyva. "Julia has been reborn among us. Let us never see another woman be turned into an object of commerce."

After a Roman Catholic Mass in a local church, Pastrana's coffin was carried to the town cemetery and buried as a band played traditional music.

"The story is so important," said visual artist Laura Anderson Barbata, who campaigned for Pastrana's return to Sinaloa. "Bringing her back here is a way of recovering it."

Pastrana's repatriation is part of a broader movement among museums and academic institutions to send human remains gathered during the European colonization of Latin America, Africa and Asia back to their countries and tribal lands.

Hundreds of thousands of remains have left cultural institutions in the U.S., Europe and Australia since the repatriation movement began in the late 1980s, when a new generation of anthropologists, archeologists curators began grappling with the colonial legacies of their disciplines, said Tiffany Jenkins, author of "Contesting Human Remains in Museum Collections: the crisis of cultural authority."

"They've been symbolic, in a way, of making an apology," Jenkins said.

Institutions in Scandinavian countries have come to the movement somewhat later than their counterparts in other parts of Europe and in the United States, where more than a half-million sets of remains and artifacts have been returned to Native American tribes, she said.

"Norway has become in recent times more uncomfortable about their holding of human remains," she said.

Mexican Ambassador Martha Barcena Coqui, who is based in Copenhagen, Denmark, formally received Pastrana's coffin at a Feb. 7 ceremony at Oslo University Hospital in the Norwegian capital before the coffin was flown to Mexico.

"You know I have mixed feelings," the ambassador said. "In one way, I think she had a very interesting life and maybe she enjoyed visiting and traveling and seeing all the places, but at the same time I think it must have been very sad to travel to these places not as a normal human being but as a matter of exhibition, as something weird to be talked about."

Jan G. Bjaalie, head of the Institute of Basic Medical Sciences at the University of Oslo, said he was happy that they had "finally been able to grant a worthy end to her life."

"Today, it's almost incomprehensible that a circus used corpses for entertainment purposes. Hers was used in a way we today would consider to be completely reprehensible," he said. "It's important that we now have a clear end to the way she was treated."

___

Weissenstein reported from Mexico City. Associated Press Writer Matti Huuhtanen contributed from Helsinki, Finland.

 
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03:37 PM on 02/15/2013
To the person who asked me if I had read that the child died at childbirth, please read the article carefully yourself. The article says that Julia Pastrana died of complications AFTER childbirth. {in the past, women who died of complications after childbirth could live for several months after they gave birth.] Also note the comment made by Jan G. Bjaalie, head of the Institute of Basic Medical Sciences at the University of Oslo, who says that today we would not exhibit "corpses" in circuses. Theodore Lent, who married Julia Pastrana, exhibited Pastrana and his own child as "corpses": in the circus. Also: three slashes with a wet noodle to the Mexican Ambassador who made such an inappropriate comment about Julia Pastrana. Her comment is the equivalent of comments made by slave-holders who said that their slaves must have been happy because they sang everyday after their long day working out in the fields.
03:05 PM on 02/15/2013
What makes you think that I am Native American? In my posting I said that I first learned about Julia Pastrana from well-known Native American poet, Wendy Rose. Rose footnotes her poem with info about Pastrana. It is there that she says that showman Theodore Lent exhibited his own child as a freak in the circus. This footnote and the item in The Huntington Post do not necessarily contradict each other, for it is quite possible that Lent exhibited the baby before it died.The lesson we learn from this article is made by Jakob Sternberg: if people will pay for something, someone will make money out of the act regardless of whether it is moral or immoral. RIP, Julia Pastrana and all involved in this tragic story--that at least has a positive ending. And three strikes with a wet noodle to the Mexican.Ambassador to Norway who made such an inappropriate comment regarding Pastrana's life. Her comment is tantamount to that of the Southerns who justified slavery, saying that their slaves must have been happy because they sang every day after their long workday in the fields.
04:44 PM on 02/14/2013
I've seen truer monkeys walking downtown Atlanya..
04:44 PM on 02/14/2013
Atlanta
11:58 AM on 02/14/2013
Some things have not changed the last 150 year, if people are wiling to pay for it.. it's getting sold.. morale or no morale..
11:21 PM on 02/13/2013
I first heard of Julia Pastrana in the early 1980s from Native American poet Wendy Rose who wrote a very angry poem about the way that museums treated Native people, focusing her poem on Julia Pastrana. According to Wendy Rose, the guy who exhibited Pastrana married her and fathered her child who inherited her condition. Then, Rose writes, he exhibited his child also as a freak. This happened at a time when colonial powers viewed native people as less-than-human and treated them as sub-species from which to make money. By the way, to the youngster who asked if she shaved "down there," why would you even care? Do you do that to yourself? To the other adolescent who inquired what "traditional music" is, surely you can lister to this music on YouTube. It is quite lovely although to western ears such as yours, it may seem off-key. The world is much larger than the terrain which each of us calls home.
09:05 AM on 02/15/2013
You didn't read the part about how the child died in the birth process, did you. But then, Native American poets/politicians never let the facts get in the way of a good story, do they.
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tjamman
Tax The Rich Until It's FIXED!!
10:33 PM on 02/13/2013
I wonder if she shaved... down there...!
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dbrockskk1
03:38 PM on 02/13/2013
what's "traditional music"?
12:11 PM on 02/13/2013
Now if they could bring all the rest of the mexicans home to rest, live or dead.
10:08 AM on 02/13/2013
She's a very freaky girl, the kind you don't take home to mother...Super Freak. Super Freak. She's super freaky...
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01:00 PM on 02/13/2013
Yowl!
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tjamman
Tax The Rich Until It's FIXED!!
10:33 PM on 02/13/2013
She's all right, she's all right, that gyrls all riiight wit me...!